First, we see a portrait with superb tones:
...and as if this wouldn't be enough, the photo develops into an emotional-environmental portrait on the right side.
That's what I mean with taking one shot and getting two. It could be actually three: far left, single portrait; center, emotional; far right, environmental. The little devil inside makes me longing for something to fill in the space on the right, like another figure in the background or some interesting detail of environment, but perfectionism spoils all the fun.Bottomline: terrific concept, for me another lesson learned. I need to ask him next time how he produces such delicate low-keyish tones on his portraits of dark-skinned models - quite challenging!
